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L’ œuvre « expressioniste » est conçue exclusivement à partir de sons d’oiseaux et de clavecin. Sa structure épisodique bascule en différentes ambiances et mutations. La technique d’écriture est guidée par les fragments de jeux du clavecin, performé à même la table d’harmonie, tel une harpe, une guitare ou un berimbau. Les fragments enregistrés sont rejoués et manipulés en temps-réel, à l’aide d’un échantillonneur virtuel.
This expressionist acousmatic piece is entirely made from harpsichord and birds sounds. Its fractured structure goes through different mutations and ambiances. The development is guided by the harpsichord fragments, which were played and recorded directly on the soundboard of the instrument as if it was a harp, a guitar or a berimbau. The composition was finally made with a virtual sampler and electronic manipulations.
Gaël Segalen’s stunning and apocalyptic dark ambient music feels like 3 a.m. at an abandoned warehouse, full of shadows and menace. Bandcamp New & Notable Feb 10, 2019
You’d expect an album titled “Velociraptor” to be heavy and this doesn’t disappoint, as it’s jam-packed with serrated noise & feedback. Bandcamp New & Notable Apr 22, 2023
From the always-great label Umor Rex comes the latest from Lina Filipovich: A ruthless deconstruction of classical pieces. Bandcamp New & Notable Jul 25, 2022