Liz Helman is a London-based artist and independent curator working across different media, including sound, video, photography and painting. In her time-based media works she explores the psychological and emotional attachment to place and dwelling. Journeying between recollection and reality, she challenges format driven orthodoxies, fragmenting and layering image and sound to consider the experience of dislocation and displacement.
Sound pieces have been heard at New York City Electroacoustic Music Festival 2014 and video works have been shown in London and abroad including: MUSLAB Festival, Mexico, 2014; Millenium Film Workshop, New York; LAB Film Festival at Hackney Wicked, London 2014; Bermuda Triangle Test Engineers benefit for Resonance FM, 2014; LOOP Video Festival, Barcelona 2011; Lesbian & Gay Film Festival, part of festival shorts with Barbara Hammer, BFI, London, 2011; FrinGe Film Fest 2011; Wunderland at tactileBosch, Cardiff 2011; Supermarket Stockholm Art Fair 2011; Whitechapel Gallery Open Screenings, 2010; Rich Mix Cultural Centre, London, UK, 10; Counted Weekend Festival, Roundhouse, London, 2010; Portobello Film Festival 2008; Visions in the Nunnery, Bow Arts Trust 2008; Picasso’s Laboratory – St James Cavalier, Centre for Creativity, Valletta, Malta 2007; WAVE [Hybridity, Identity & the Self] – Ewha Arts Center, M-Post Gallery, Seoul, Korea, 2006.
Independent curation projects include Facing You, a photography exhibition for Fringe! – Gay Film Festival, 2012; Roma London in 2010; Before.After.Now – Visions of Iraq – a show on Iraqi Art Deluxe Gallery, Hoxton, London 2003. And under the banner of[noplaceprojects*], the exhibitions RePlace in 2009 and no place in 2008. She also has appeared as an Andy Warhol in Yason Banal’s installation piece, Last Warhol Stand Inn at Tate Modern’s 10th Anniversary Festival of Independents in 2010.